Capturing Local Culture

by Roger Nelson, One of Our Photographers in Indochina

What does it take to capture the local culture in your photos?
Architecture and landscapes can make great backdrops but they rarely identify the culture. To capture the culture, you need to photograph the local people, activities and details.

Let’s start with people.
People dress differently around the world and capturing images of local people helps to identify the differences. In some countries there are many different cultures with different styles of dress so you should photograph local people in each location you visit. If you can find someone dressed in traditional clothing, you definitely want to capture that but you should also photograph people dressed in modern clothing as this tells you something about which other cultures are being adopted.

Vendor crosses the bridge in Hoi An

Learning to photograph people in natural light can be challenging but, if you work at it, it will become a skill that improves your travel photos. The first thing you must learn is how to approach people that you want to photograph. If you photograph people from a distance so they don’t know you are taking their picture, you will occasionally get a good photo but for the best photos you need to be up close and personal and this requires permission. Your first approach should be to raise the camera and ask if you may take a photo. Even if they don’t understand you, they probably know your intent when they see the camera and will nod their approval or wave you away. If they don’t want their picture taken, respect their wishes and move on but don’t take the rejection personally.

Try someone else.
I have found that at least half of the people I come across are willing to let me take their picture. In some cases it is free and in other cases they expect something in return. Ask your guide for advice on what to give and how much so as not to offend people or turn them into full time models expecting the same high payment from someone else. In my travels, I try to avoid paying individual people and instead find ways to help the whole village, usually through the head of the village. Money and basic gifts such as school supplies, cooking supplies and laundry supplies that can be shared are always well received and allow more freedom to walk around and take photos as I wish.

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Click on photos to enlarge

There are several ways to photograph people.
You can focus on their face, for example, if their makeup, hair or jewelry are interesting or you can capture their whole body in the image if their clothing, footwear or something they carry is more interesting. The best way to capture the local culture, however, is to photograph people doing something. Photograph an activity. When I travel, I am always looking for festivals, celebrations, markets, schools, games, craftspeople and farms to capture people in their daily lives. I like different modes of transportation too. How do they get to work and school? How do they move goods?

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Click on photos to enlarge

As long as you are respectful of the wishes of local people, your people photography will evolve if you take some time.
Start by photographing people that are willing to be photographed. Usually kids will volunteer if no one else will. Then show them their images. Most people love to see an image of themselves (or their kids) and chances are good that they will agree to a photo of themselves if they like the one you took of someone else. Pretty soon you will be thinking of ways to make even better photos and everyone is helping you. Would that girl look better framed in that window? Should we have the teacher pointing at something on the blackboard? Your guide can help you so why not try it? You will never be satisfied with ‘grab shots’ again.

Another way to capture the local culture is to photograph the details.
When we travel, we tend to see the ‘big picture’ and we want to capture the whole scene in one picture but this often overlooks details that help define the culture. Small things like jewelry, clothing, decorations, food, utensils, signs, religious artifacts and many more details make great close up photos that complement the big pictures to better demonstrate the culture.

Capturing local culture in your photos takes time though.
When you are somewhere you have never been before, there is so much to see and photograph that the cultural shots are not usually thought of until the architecture and landscape photos are taken. If you are on a regular tour, it is very difficult to find enough time to take cultural shots so I recommend photo tours that focus on this type of photography. Find a guide that knows the local culture and is willing to help you with your photography too. You will be happier with your photos and have better stories to tell about your travels.

Join me and my Asian guides on a photo tour of ethnic cultures in Southeast Asia next April with
A Different Perspective!
CALL NOW 415-331-3791 or email teri@differentperspectivetours.com

May your travel and your photography both be rewarding!

Roger Nelson
Travel Photographer

How To Prepare For A Photo Trip

Bruce Janklow Myanmar 2013

Suggestions from Bruce Janklow, A Different Perspective Client
and Frequent Photo Traveler

Bruce Janklow Self Portrait 2013

Bruce Janklow Self Portrait 2013
(Click on photo to enlarge)

I’ve been a photographer for over 60 years since my Father (also a photographer) first dragged me out for day long shooting trips when I was eight or nine, which of course I protested loudly a the time but now cherish in memory. But since I stopped working for money, I have rededicated myself to my photography and travel – the more obscure, underdeveloped and exotic the destination the better. As a result I frequently get asked several questions; how do you go about finding trips to go on, how do you prepare, what do you bring, how do you stay organized and how do you manage workflow in the field? Teri Goldstein, the major domo of “A Different Perspective” and frequently the creator of wonderful photo trips I take, asked me if I could share some of my tricks of the trade. So I wrote the following piece. Hope it is helpful.

Bruce Janklow Cuba 2014

Bruce Janklow Cuba 2014
(Click on photo to enlarge)

Choosing a destination:
I actively keep a wish list going of the places I might like to visit and photograph. My criteria is pretty personal to me and I think it should be that way for everyone. I am particularly drawn to places that don’t have a lot of tourists, they are a negative factor in many ways in my mind and I like being early in the curve in terms of visiting new places. Both these points have several rewards, perhaps the biggest being that it is much better when locals aren’t jaded from having had many lenses shoved in their faces. I also like cultures that are as unlike mine as possible and like it when there is a significant cultural, historic and spiritual aspect to the place. I also like to try and find a good balance of people, architectural, landscape and street photography.

Bruce Janklow Nepal 2014

Bruce Janklow Nepal 2014
(Click on photo to enlarge)

I regularly look at websites of high quality photo tour companies I know, of course including A Different Perspective. I also subscribe to a few photo communities on line. And over the last several years I have formed friendships with other photo travel enthusiasts, many of whom I’ve traveled with and we regularly share information and opinions. These are all important inputs.

Once someplace is high on my list I decide whether it is a place I can navigate on my own or with friends or am I better served going on a guided tour. For example I recently completed a week-long trip to Northern New Mexico unguided and will be going to the Mississippi Delta with two other photo buddies in October. But when I decided I wanted to get to Southern India – that definitely needed to be a guided tour (btw – that will be a trip Teri put together).

Bruce Janklow New Mexico 2015

Bruce Janklow New Mexico 2015
(Click on photo to enlarge)

When I mentally commit to trying to get to a particular destination I start reading whatever I can about it online and shop for the best tour for me (assuming it requires one). I will also purchase guidebooks (I frequently like Lonely Planet the best) as well as historical and fiction books. Reading and planning are very enjoyable for me and also help make the trip itself more rewarding.

If I am going unguided I frequently will try to find photographers who shoot in the area I’m interested in and contact them online – you may be surprised about how willing other photographers are to share their knowledge with kindred spirits.

Bruce Janklow Mexico city 2015

Bruce Janklow Mexico city 2015
(Click on photo to enlarge)

What to take:
In my head I break down what I’m going to take into several distinct categories; photo equipment, computer/electronic equipment, clothing and personal items.

As it relates to photo equipment I generally take as much as I can carry. I don’t like the idea of being in a remote place faced with a particular situation and not having what I want or need. Here’s what I never go without:
• Two camera bodies that use the same lens system. I need a backup! By the way I have switched to a micro four thirds system so now I travel a lot lighter
• A zoom lens that is more oriented to the wide side (like 24-70) and a zoom that is a telephoto (like 70-200).
• I also have a street zoom that is 24-300 and always take that.
• Finally one good portrait lens (like a 50).
• Nowadays I use my iphone as my point and shoot and do fine with it.
• I take a 16GB card for each day of the trip and one or more wallets to hold and organize them.
• I also take at least two extra batteries, of course a charger
• I always bring a light-weight travel tripod although I use it less than I used to.
• Lens wipes, a cleaning cloth and a plastic bag to shoot with in case of rain.
• I am not a big filter guy but I do bring a polarizer for my street lens.
• I tend not to bring my flash but sometimes I’m glad of I did and sorry if I didn’t

Computer/Electronics:
• Mac Air with LightRoom installed
• iPhone (I use phone for alarm clock)
• USB cables
• Electrical convertors needed for region
• A card reader
• A backup external hard disc

Easily forgotten important odds and ends:
• A small flashlight
• A small multi-tool
• 2 luggage locks
• Money belt
• Several nylon zip bags to hold electronic and photo stuff
• Several plastic zip-lock bags
• A cheap rain poncho
• Protein pills and granola bars
• A water bottle
• Sun cream

Clothes:
Over the years I have taken less and less and am happier and happier. I have never not found a trip where I can’t have things washed at least three times over two weeks. Here’s what goes with me for a warm weather trip:
• Underwear and socks for half as many days
• 2-3 tee shirts
• 2-3 lightweight long sleeve shirts (always fast drying synthetics)
• 2-3 pairs of lightweight pants (fast drying as above) (1 which is zip off)
• 1 long sleeve fleece
• 1 nylon rain shell
• 1 ball cap
• 1 pair light weight sneakers, 1 pair lightweight hiking boots (ankle high)
• A photo vest with lots of pockets – I love my Scottevest

Bags:
I carry two bags only on flights:
• An expandable fabric wheelie case – I love my 32” Osprey, it gets bigger when needed but is lightweight and compresses with cinch straps.
• A backpack camera bag with a sleeve for a laptop that can carry a tripod and has “personal space”. This is an important purchase so suggest doing research to make sure it will carry all your stuff. I never, ever check photo equipment except for tripod. Some people, especially women like wheelie carry-on camera bags.
• A day pack, it gets packed into my bag, used to carry what I need for each day (usually left in a van when I shoot, use the vest for immediate stuff).

Workflow:
• I always carry an extra card and extra battery in my vest each day in case
• I use one card for each day, at day’s end I put that day’s card into lock position
• Every day I download my images to LightRoom on my Mac, have the external hard drive plugged in, but I save and don’t reuse the cards until I get home.
• Redundancy is critical to me in case of failure. I know people who have spent many thousands of dollars on trips, captured great images and then lost them.
• Each day I try to do first round of editing, deleting images I don’t like and flagging ones I do. I usually capture 300-500 shots a day so keeping totals manageable is important to me.

Bruce has been averaging about three photo trips a year for the last several years. In that time he has been in Asia, Europe, North America, Central America and the Caribbean. Much of his work can be found at
Bruce Janklow but as usual it’s a few trips behind.

Best Regards,
Teri